Loading…
Loading…
Exercise
Corpus id bass-193 · cite this id — it is permanent
Sixth chords a half step from their neighbors — above all the dominant with its leading tone in the bass, which must rise.
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | bar 6 | bar 7 | bar 8 |
|---|---|---|---|---|---|---|---|---|
| Bass | G2 | F♯2 | G2 | B2 | C3 | B2 | D3 | G2 |
| Figures | 6 | 6 | 6 | |||||
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | bar 6 | bar 7 | bar 8 |
|---|---|---|---|---|---|---|---|---|
| Soprano | B4 | A4 | B4 | D5 | C5 | D5 | A4 | B4 |
| Alto | G4 | A4 | G4 | G4 | G4 | G4 | F♯4 | G4 |
| Tenor | D4 | D4 | D4 | D4 | E4 | D4 | D4 | D4 |
| Bass | G2 | F♯2 | G2 | B2 | C3 | B2 | D3 | G2 |
| Figures | 6 | 6 | 6 | |||||
When the dominant stands on its third, the leading tone is the bass itself — so it keeps its obligation to rise, and no upper voice may double it. The upper voices take the root and fifth and leave the pull to the bass alone.
The three upper voices of the model realization fit under one hand. Feel the two half steps under the left hand: F sharp leaning up into G, and C settling back onto B. Carry it into C major, D major, F major.
Gradus Figured-Bass Corpus, bass-193 — Half-step bass. v1.0. https://gradusmusic.com/figured-bass-corpus/exercise/bass-193
Corpus v1.0 · licensed CC-BY-4.0 · machine-readable at /api/v1/figured-bass/exercises/bass-193