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Exercise
Corpus id bass-192 · cite this id — it is permanent
The same 5-to-6 exchange in minor, where the sixth above the subdominant sharpens the pull toward the dominant.
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | bar 6 |
|---|---|---|---|---|---|---|
| Bass | D3 | D3 | G2 | G2 | A2 | D3 |
| Figures | 6 | 6 | # | |||
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | bar 6 |
|---|---|---|---|---|---|---|
| Soprano | F4 | F4 | G4 | G4 | E4 | F4 |
| Alto | D4 | D4 | D4 | E4 | C♯4 | D4 |
| Tenor | A3 | B♭3 | B♭3 | B♭3 | A3 | A3 |
| Bass | D3 | D3 | G2 | G2 | A2 | D3 |
| Figures | 6 | 6 | # | |||
Over the subdominant the fifth rises to a sixth and the chord leans harder toward the dominant. The fourths exercise will visit these same six chords again by leap; here the bass stands still and lets the upper voices do all the moving.
The three upper voices of the model realization fit under one hand. Same two moving fingers as the major version — then the sharp arrives under the dominant, as it always does in minor. Carry it into A minor, G minor.
Gradus Figured-Bass Corpus, bass-192 — Stationary bass, minor. v1.0. https://gradusmusic.com/figured-bass-corpus/exercise/bass-192
Corpus v1.0 · licensed CC-BY-4.0 · machine-readable at /api/v1/figured-bass/exercises/bass-192