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Exercise
Corpus id bass-194 · cite this id — it is permanent
The minor mode’s two great half steps in the bass: the leading tone rising into the tonic, and the sixth degree falling onto the dominant.
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | bar 6 |
|---|---|---|---|---|---|---|
| Bass | E3 | D♯3 | E3 | C3 | B2 | E3 |
| Figures | 6 | 6 | # | |||
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | bar 6 |
|---|---|---|---|---|---|---|
| Soprano | G4 | F♯4 | G4 | E4 | D♯4 | E4 |
| Alto | E4 | B3 | E4 | A3 | B3 | B3 |
| Tenor | B3 | B3 | B3 | A3 | F♯3 | G3 |
| Bass | E3 | D♯3 | E3 | C3 | B2 | E3 |
| Figures | 6 | 6 | # | |||
Both of minor’s strongest pulls sit in the bass here: the raised leading tone pressing up into the tonic, then the sixth degree leaning down onto the dominant. Distance from home, heard as two half steps — one from below, one from above.
The three upper voices of the model realization fit under one hand. Two semitones carry this exercise: D sharp up to E at the start, C down to B at the close. Everything else is escort. Carry it into A minor, D minor.
Gradus Figured-Bass Corpus, bass-194 — Half-step bass, minor. v1.0. https://gradusmusic.com/figured-bass-corpus/exercise/bass-194
Corpus v1.0 · licensed CC-BY-4.0 · machine-readable at /api/v1/figured-bass/exercises/bass-194