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A rapid, slight oscillation in pitch that adds warmth and expressiveness to sustained notes.
Rarely printed, because modern string players and singers use it by default. The word appears when a composer wants more of it or wants it back — “vibrato”, “molto vibrato” — often cancelling an earlier “non vib.” or “senza vibrato”. Liszt’s piano “vibrato assai” is figurative, asking for a ringing tone. On a staff label, “Vib.” means vibraphone.
Abbreviations: vib.
Vibrato is the default for modern string and vocal performance. Composers can specify "senza vibrato" (without vibrato) for a purer, more austere sound — useful for early music, ethereal effects, or stark emotional contrast. Wide vibrato = warm and emotional; narrow/no vibrato = cold and objective.
Mahler, Symphony No. 5, fourth movement (Adagietto), first violins, m. 86: “vibrato” printed at pp near the end of the movement — an explicit request in a movement for strings and harp alone.
Vibrato is one of 1760 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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