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Bowing over the fingerboard, producing a soft, flute-like, fundamental-rich sound.
Printed above the string staff as sul tasto (French sur la touche, German am Griffbrett), and in force until ordinario or naturale. It is often paired with a soft dynamic or dolce. It is not tasto solo, a continuo instruction for the keyboard player to play the bass line alone.
Sul tasto is the opposite of sul ponticello — it produces a muted, ethereal sound with weak overtones. Use it for dreamy, distant effects or extremely soft passages where you want the strings to blend into transparency.
Beach, Symphony in E minor (“Gaelic”), Op. 32, fourth movement, first violins, m. 385: “sul tasto” with “dolce”, taken up by second violins and violas in the next bar.
Sul tasto is one of 1760 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
Browse the full dictionary →