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Continue getting louder.
Printed below the staff as sempre cresc. or cresc. sempre, often a few bars after an earlier cresc. to keep the growth going, and sometimes in parentheses as a reminder. It runs until the dynamic it reaches.
Abbreviations: sempre cresc., cresc. sempre
Use it to stop a crescendo from stalling: printed partway through a long build, it tells players the first cresc. was not the whole story. Beethoven renews crescendos this way in every wind part at once, so the growth is shared. Pair it with the target dynamic, and in a long build let the orchestration grow too.
Beethoven, Symphony No. 4 in B-flat major, second movement (Adagio), flute, m. 39: “sempre cresc.”, renewing the cresc. of the bar before and reaching ff in the next bar; the oboes and clarinets carry the same words.
Sempre crescendo is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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