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More; a comparative marker ("plus lent", "plus vite").
Printed before the word it compares — plus lent, plus animé, plus expressif, plus intense — or doubled in de plus en plus (more and more). A comparative tempo word stays in force until the next tempo marking; plus with a quality lasts until that quality is replaced. Encore plus means “still more”.
The French più. Like any comparative it measures from what came before, so the performer needs a clear reference: put plus lent after a firmly established tempo, not after a passage already bending under cédez. Stacking comparatives — plus animé, then plus animé encore — is a clean way to build a section in steps. Pair it with a metronome mark if the amount matters.
Lili Boulanger, Clairières dans le ciel, “Parfois, je suis triste”, piano, m. 6: “Plus animé”, then m. 12: “Plus animé encore” — the tempo raised in two steps before “Tempo I.” returns at m. 14.
Plus is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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