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Less ("moins vite").
Printed before the word it reduces — moins vite, moins lent, un peu moins lent — usually as a new tempo marking at the bar where the change happens. It holds until the next tempo word. Because moins lent and plus vite both mean “faster”, read the word it modifies before deciding which way the tempo moves.
The French meno. Moins measures against what came before, so it works best right after a clearly set tempo. Choosing moins lent rather than plus vite keeps the music’s slow character while lifting the pace slightly, and Debussy and Lili Boulanger use it that way inside slow songs. Keep to one comparative per word; moins lent et plus agité works because each comparative governs a different quality.
Lili Boulanger, Clairières dans le ciel, “Demain fera un an”, voice, m. 8: “moins lent et plus agité”, in a song that opens “Lent” and “Librement” — one comparative eases the tempo, the other raises the agitation.
Moins is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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