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With the voice: the accompaniment follows the singer’s tempo.
Printed in the accompaniment — the piano part or the orchestral parts — where a singer is to lead the timing, and in force until a tempo or a new tempo word. It can also be folded into a heading, as in Allegretto (poco rubato, colla voce), where it covers the whole song.
Also spelled: col voce
The vocal form of colla parte: accompanists follow the singer’s declamation, breathing and rubato. It is indispensable in recitative, where the rhythm of the text overrides the metre, and at expressive peaks in songs. Put it in the accompanying parts and mark the return of strict time; the singer’s own part needs no marking. The ungrammatical col voce occasionally appears in print with the same meaning.
Beethoven, Symphony No. 9 in D minor, Op. 125, fourth movement, first violins, m. 224: “colla voce”, during the bass soloist’s recitative that begins at m. 216 (“Recitativo”).
Colla voce is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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