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With the part: the accompaniment follows the soloist’s tempo.
Printed in the accompanying parts — a piano part, or orchestral parts under a solo line — where the soloist takes liberties, often at a rit. or fermata. It holds until a tempo restores the common pulse, usually a bar or two later.
Also spelled: col parte
Colla parte tells accompanists to follow the soloist’s timing rather than keep their own. It is essential wherever the solo line breathes freely — a fermata, a rubato peak, a recitative-like phrase — and the accompaniment must move with it. Write it in the accompanying parts, not the solo part, and mark the return (a tempo) clearly. Colla voce and col canto are the vocal equivalents.
Elgar, “The River”, Op. 60 No. 2, piano, m. 22: “colla parte” at f, the bar after a “rit.”
Colla parte is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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