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At the frog: play with the part of the bow nearest the hand, for weight and bite.
Printed above a string part over the notes it affects, and in force until the bowing is changed — à la pointe, ord., or a new stroke word. Al tallone is the Italian form, am Frosch the German.
The frog end of the bow carries the arm’s weight, so au talon gives strong attacks, heavy accents and gritty chords — often a series of down-bows, each retaken from the frog. Changing direction there is slow, so pair it with detached notes rather than rapid passagework. Use it to make string playing rough-edged or rustic; its opposite, à la pointe, gives the lightest, most delicate sound.
Au talon is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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