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At the frog (heel) of the bow.
Printed above the string staff as al tallone at the passage to be played near the frog. It lasts until another bow-placement or bowing word (punta d’arco, ord.).
At the frog the bow has its greatest weight, so the sound is heavy, gruff and strongly attacked — good for accented down-bows, forceful repeated strokes and martelé. It tends to break notes apart, so it suits detached rather than sustained writing. The French equivalent, au talon, is also common in scores.
Al tallone is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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