Adagio molto

As Printed on a Score

Printed above the first system, most often as the heading of a slow introduction before a fast movement, and in force until the Allegro or other tempo word that ends it. It is the same instruction as Molto adagio; the word order varies by composer and edition.

Also spelled: Molto adagio

How Composers Use It

Very slow, and in Classical usage above all the tempo of a solemn introduction: Beethoven opens both his First and Second Symphonies with it before the Allegro. At this pace the beat often divides, so consider whether players should count in eighths and mark it if needed. Sustained harmony, suspense and harmonic surprise work well here; busy figuration rarely does, because it makes an Adagio molto sound fast.

Example

Beethoven, Symphony No. 1 in C major, Op. 21, first movement, m. 1: “Adagio molto” heads the slow introduction, which opens with fp chords.

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