Loading…
Loading…
Secondary voice — the second most important melodic line. Marked with a bracketed N in Schoenberg and the Second Viennese School.
Printed like the Hauptstimme sign but with a capital N: N joined to a horizontal bracket over the secondary line, ending in a small hook where it stops. Read it as second in importance — audible beneath the H line, above anything unmarked — and, like the H sign, valid only for the length of its bracket.
Nebenstimme identifies the secondary melody — less prominent than the Hauptstimme but still important to the texture. It should be audible but not compete with the principal voice.
Berg's Violin Concerto — Hauptstimme and Nebenstimme markings throughout clarify the hierarchy of melodic lines in the dense orchestral texture.
Nebenstimme is one of 1760 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
Browse the full dictionary →