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Principal voice — the most important melodic line at any given moment. Marked with a bracketed H in Schoenberg and the Second Viennese School.
Printed as a sign rather than a word: a capital H joined to a horizontal bracket that runs over the principal passage and ends in a small hook where it stops; scores that use it usually explain it in a footnote. Only the bracketed span is principal — when the H appears in another part, the lead has passed there. Berg and Webern use the same sign.
Schoenberg introduced the Hauptstimme symbol to clarify which voice carries the primary melody in complex polyphonic textures. It is essential in atonal music where traditional harmonic cues no longer guide the ear. Use it when multiple lines are equally active and you need to tell the performer (and conductor) which one should project.
Schoenberg's "Pierrot lunaire" — Hauptstimme markings guide performers through the dense counterpoint, indicating which instrument should project at each moment.
Hauptstimme is one of 1760 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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