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Exercise
Corpus id bass-320 · cite this id — it is permanent
A bare bass falling in fifths through the whole minor key: the circle needs almost no figures — the one decision is where the sharp finally belongs.
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | |||||
|---|---|---|---|---|---|---|---|---|---|---|
| Bass | D3 | G2 | C3 | F2 | B♭2 | E2 | A2 | D3 | ||
| Figures | # | |||||||||
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | |||||
|---|---|---|---|---|---|---|---|---|---|---|
| Soprano | F4 | G4 | G4 | A4 | F4 | G4 | E4 | F4 | ||
| Alto | D4 | D4 | E4 | F4 | D4 | E4 | C♯4 | D4 | ||
| Tenor | A3 | B♭3 | C4 | C4 | B♭3 | B♭3 | A3 | A3 | ||
| Bass | D3 | G2 | C3 | F2 | B♭2 | E2 | A2 | D3 | ||
| Figures | # | |||||||||
The circle of fifths is the easiest unfigured bass in the book precisely because it is a machine: every station takes a plain triad in the natural form of the scale, including the minor dominant and the diminished station passed by contrary motion. The one act of judgment is the exit — the final dominant is a cadence, not a station, and the ♯ marks the difference.
The three upper voices of the model realization fit under one hand. Six chords of plain fives and threes, all natural — the circle suspends the cadential obligations while it runs. The single figure you must supply is the ♯ at the last dominant, where the sequence stops being a sequence. Carry it into A minor, G minor.
Gradus Figured-Bass Corpus, bass-320 — Unfigured: falling fifths, minor. v1.0. https://gradusmusic.com/figured-bass-corpus/exercise/bass-320
Corpus v1.0 · licensed CC-BY-4.0 · machine-readable at /api/v1/figured-bass/exercises/bass-320