Loading…
Loading…
Exercise
Corpus id bass-304 · cite this id — it is permanent
The descending Rule four flats deep: the 4/2 still arrives on the falling fourth degree, and the bass still pays the seventh it carries — in any key whatsoever.
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | bar 6 | bar 7 | bar 8 |
|---|---|---|---|---|---|---|---|---|
| Bass | A♭3 | G3 | F3 | E♭3 | D♭3 | C3 | B♭2 | A♭2 |
| Figures | 5/3 | 6 | 6 | 5/3 | 4/2 | 6 | 4/3 | 5/3 |
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | bar 6 | bar 7 | bar 8 |
|---|---|---|---|---|---|---|---|---|
| Soprano | C5 | E♭5 | D♭5 | E♭5 | E♭5 | E♭5 | E♭5 | E♭5 |
| Alto | A♭4 | B♭4 | A♭4 | B♭4 | B♭4 | C5 | D♭5 | C5 |
| Tenor | E♭4 | E♭4 | F4 | G4 | G4 | A♭4 | G4 | A♭4 |
| Bass | A♭3 | G3 | F3 | E♭3 | D♭3 | C3 | B♭2 | A♭2 |
| Figures | 5/3 | 6 | 6 | 5/3 | 4/2 | 6 | 4/3 | 5/3 |
The descent’s lesson survives translation intact: the bass takes the seventh at the falling fourth degree and must step down to resolve it, the leading-tone degree keeps its tone undoubled, and the whole pattern reads from the same figures that served in C. Four flats are not a new grammar; they are the old grammar in a further room.
The three upper voices of the model realization fit under one hand. Name each figure aloud before playing it in the new key. The descent’s engine — the 4/2 on the fourth degree, resolving down — sounds exactly as it did with no flats at all. Carry it into Eb major, Db major, F major.
Gradus Figured-Bass Corpus, bass-304 — Octave rule in remote keys, descending. v1.0. https://gradusmusic.com/figured-bass-corpus/exercise/bass-304
Corpus v1.0 · licensed CC-BY-4.0 · machine-readable at /api/v1/figured-bass/exercises/bass-304