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Exercise
Corpus id bass-3 · cite this id — it is permanent
Root-position triads in minor. The sharp under the dominant raises its third to make a leading tone.
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | bar 6 | bar 7 | bar 8 |
|---|---|---|---|---|---|---|---|---|
| Bass | A2 | D3 | A2 | E3 | A2 | D3 | E3 | A2 |
| Figures | # | # | ||||||
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | bar 6 | bar 7 | bar 8 |
|---|---|---|---|---|---|---|---|---|
| Soprano | A4 | A4 | A4 | G♯4 | A4 | A4 | G♯4 | A4 |
| Alto | E4 | F4 | E4 | E4 | E4 | F4 | E4 | E4 |
| Tenor | C4 | D4 | C4 | B3 | C4 | D4 | B3 | C4 |
| Bass | A2 | D3 | A2 | E3 | A2 | D3 | E3 | A2 |
| Figures | # | # | ||||||
Without the sharp the close would sound modal rather than final; this is why minor carries an accidental the major mode does not need.
The three upper voices of the model realization fit under one hand. The raised third is the only accidental — find it under the hand before playing. Carry it into E minor, D minor.
Gradus Figured-Bass Corpus, bass-3 — Bass in fifths, minor. v1.0. https://gradusmusic.com/figured-bass-corpus/exercise/bass-3
Corpus v1.0 · licensed CC-BY-4.0 · machine-readable at /api/v1/figured-bass/exercises/bass-3