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Exercise
Corpus id bass-218 · cite this id — it is permanent
The cadential 6/4 in minor, approached by the half-step fall from the sixth degree, resolving onto the sharp that makes the dominant real.
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | |||||
|---|---|---|---|---|---|---|---|---|---|---|
| Bass | G2 | C3 | E♭3 | D3 | D3 | G2 | ||||
| Figures | 6 | 6/4 | # | |||||||
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | |||||
|---|---|---|---|---|---|---|---|---|---|---|
| Soprano | D4 | E♭4 | G4 | G4 | F♯4 | G4 | ||||
| Alto | B♭3 | C4 | C4 | D4 | D4 | D4 | ||||
| Tenor | G3 | G3 | C4 | B♭3 | A3 | B♭3 | ||||
| Bass | G2 | C3 | E♭3 | D3 | D3 | G2 | ||||
| Figures | 6 | 6/4 | # | |||||||
Minor sharpens both edges of the formula: the bass approaches the 6/4 by the half-step fall from ♭6, and the fourth resolves onto the raised third itself — so the figures 6/4 then ♯ spell the whole close, from lean to leading tone.
The three upper voices of the model realization fit under one hand. Feel the bass fall its half step onto the 6/4 — the sixth degree leaning onto the dominant before the upper voices have even begun to resolve. Carry it into D minor, C minor.
Gradus Figured-Bass Corpus, bass-218 — Cadential 6/4, minor. v1.0. https://gradusmusic.com/figured-bass-corpus/exercise/bass-218
Corpus v1.0 · licensed CC-BY-4.0 · machine-readable at /api/v1/figured-bass/exercises/bass-218