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Exercise
Corpus id bass-208 · cite this id — it is permanent
The half cadence in minor, where the dominant that ends the question carries the sharp — the question is asked with the leading tone already in hand.
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | bar 6 | ||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Bass | E3 | A2 | B2 | B2 | G2 | A2 | B2 | E3 | ||||
| Figures | # | # | 6 | # | ||||||||
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | bar 6 | ||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Soprano | G4 | A4 | F♯4 | F♯4 | E4 | E4 | D♯4 | E4 | ||||
| Alto | E4 | E4 | D♯4 | D♯4 | E4 | C4 | B3 | B3 | ||||
| Tenor | B3 | C4 | B3 | B3 | B3 | A3 | F♯3 | G3 | ||||
| Bass | E3 | A2 | B2 | B2 | G2 | A2 | B2 | E3 | ||||
| Figures | # | # | 6 | # | ||||||||
Minor cannot even ask its question without the accidental: the half-cadence dominant needs the raised third to be a dominant at all, so the figures carry the sharp twice — once for the question left open, once for the answer that closes it.
The three upper voices of the model realization fit under one hand. Both dominants take the same sharp. The first one is left standing; only the second is allowed to fall home. Carry it into A minor, B minor.
Gradus Figured-Bass Corpus, bass-208 — Half cadence, minor. v1.0. https://gradusmusic.com/figured-bass-corpus/exercise/bass-208
Corpus v1.0 · licensed CC-BY-4.0 · machine-readable at /api/v1/figured-bass/exercises/bass-208