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Exercise
Corpus id bass-207 · cite this id — it is permanent
The half cadence: a phrase closes on the dominant itself, root position on a strong beat, and the answering phrase pays the resolution it left owed.
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | bar 6 | ||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Bass | F3 | B♭2 | C3 | C3 | A2 | B♭2 | C3 | F3 | ||||
| Figures | 6 | |||||||||||
| 4/4 | bar 1 | bar 2 | bar 3 | bar 4 | bar 5 | bar 6 | ||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Soprano | A4 | B♭4 | G4 | G4 | F4 | F4 | E4 | F4 | ||||
| Alto | F4 | F4 | E4 | E4 | C4 | D4 | C4 | C4 | ||||
| Tenor | C4 | D4 | C4 | C4 | C4 | B♭3 | G3 | A3 | ||||
| Bass | F3 | B♭2 | C3 | C3 | A2 | B♭2 | C3 | F3 | ||||
| Figures | 6 | |||||||||||
The first phrase reaches the chord of maximum tension and stops there — stable enough to stand on, restless enough that no one mistakes it for the end. The second phrase is the answer: the same ground walked again, this time all the way home.
The three upper voices of the model realization fit under one hand. Stop fully at the fourth bar and listen to the question mark before playing the answer. Carry it into C major, G major.
Gradus Figured-Bass Corpus, bass-207 — Half cadence. v1.0. https://gradusmusic.com/figured-bass-corpus/exercise/bass-207
Corpus v1.0 · licensed CC-BY-4.0 · machine-readable at /api/v1/figured-bass/exercises/bass-207