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Wind machine.
German for the wind machine, printed on its own line. Because the howl rises in pitch and loudness with the speed of cranking, the part is usually a held note or line shaped with hairpins, telling the player when to crank harder and when to let the drum slow.
A sheet of canvas rubbing against a turning slatted drum: slow cranking gives a distant moan, fast cranking a gale. Strauss used it for the airborne ride in Don Quixote and the storm in An Alpine Symphony. It is pure scene-painting, so give it a dramatic reason, shape every gust with dynamics, and let it emerge from and sink back into the orchestra rather than start abruptly.
Windmaschine is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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