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A little to the fore.
Printed above or beside the line to be brought slightly forward — between piano staves or over an orchestral part — often with the hand named (la m.g. un peu en dehors). It lasts for that line’s phrase or until a new dynamic or character word.
Un peu en dehors asks for gentle projection: the line should be noticed, not announced. It suits countermelodies, inner voices and quiet solos inside soft textures, where a full en dehors would break the surface. Debussy and Ravel use it at p and pp; give the dynamic of the whole texture and let this phrase set the relative balance.
Debussy, Ariettes oubliées, “Il pleure dans mon cœur”, piano, m. 3: “un peu en dehors” at p, two bars after the opening pp.
Un peu en dehors is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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