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Too much; as in non troppo.
Printed almost only in non troppo or ma non troppo, after the word it limits (“Lento, ma non troppo”, “Allegro non troppo”, “accel. ma non troppo”). Its scope is that of the word it qualifies; a new tempo heading clears it.
Troppo (too much) is the working part of non troppo: it warns against exaggerating the word before it, a Lento that drags or an accelerando that runs away. Used positively it is rare and usually a rebuke (troppo forte, too loud) that belongs in rehearsal rather than in print. On scores, keep it in the standard negative forms, where its meaning is instantly clear.
Chopin, Études, Op. 10 No. 3 in E major: the heading “Lento, ma non troppo”, with p and legato at the opening.
Troppo is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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