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Keep the soft pedal down.
Printed below the piano staff, often at the start of a soft passage, to confirm that the soft pedal stays down throughout; it lasts until tre corde or tutte le corde.
Sempre una corda reminds the pianist not to release the soft pedal at a crescendo or a change of phrase; the muted colour should persist. Una corda changes timbre more than volume, so mark the dynamics as well, and cancel the pedal explicitly when the section ends.
Liszt, “Pace non trovo”, 3 Sonetti di Petrarca, piano, m. 56: “sempre una corda” at p, with “a tempo, quasi Allegro” and “tremolando” in the same bar.
Sempre una corda is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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