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A form built on the alternation of a recurring refrain (A) with contrasting episodes (B, C, etc.). Common pattern: ABACA or ABACABA.
Printed as a movement heading, often in capitals (RONDO), above or beside the tempo word — Rondo. Allegro, RONDO with Allegretto moderato — and sometimes inside an instruction such as Attacca subito il Rondo. It is a form label, not a performance direction, so it has no scope; the tempo word beside it sets the pace.
Rondo is the standard finale form — the recurring refrain gives the listener something to anticipate and enjoy, while episodes provide contrast and adventure. The refrain should be memorable and satisfying on each return. Vary it subtly each time — new orchestration, decoration, or register.
Beethoven, Piano Sonata No. 21 in C major, Op. 53 (“Waldstein”), third movement, m. 1: “RONDO” printed with “Allegretto moderato” and “sempre pp”, entered attacca from the slow Introduzione.
Rondo is one of 1760 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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