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Faster, with more of an allegro character.
Printed above the staff at the bar where the faster pace begins, frequently at a coda; it lasts until the next tempo word. In Beethoven it can follow an Adagio bar or a ritardando, snapping into a faster tempo than before.
Also spelled: piu allegro
Più allegro asks for a faster tempo than the one before, with the brightness the word allegro carries — a lift in spirit as well as speed. Beethoven uses it for codas that break out after a moment of suspension, a device worth borrowing: the contrast between the held moment and the faster pace gives the ending its force. Mark it at the exact bar where the new speed starts.
Beethoven, Piano Sonata No. 23 in F minor, Op. 57 (“Appassionata”), first movement, m. 239: “più allegro” at ff, straight after a one-bar “Adagio”.
Più allegro is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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