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Impassioned; a variant of appassionato.
Printed over a part or above the staff, alone at the entry of a theme or within a heading (“Allegro energico e passionato”); it lasts until the music’s character changes. It is less common than appassionato, and players read the two the same way.
Passionato asks for passion, intense, full-toned and urgent playing, exactly as appassionato does; the shorter form is simply rarer. Brahms used it for the surging main theme of his Third Symphony and in the heading of the Fourth’s finale. Put it where the line itself rises and strains, and mark the dynamic as well, since passion is not a volume.
Brahms, Symphony No. 3 in F major, Op. 90, first movement, first violins, m. 3: “passionato” at the entry of the movement’s main theme.
Passionato is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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