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Left hand.
Printed in piano music, usually abbreviated l. H. or L. H., by the notes the left hand should take — often notes on the upper staff, or a crossing. It applies to those notes only. English L.H. looks identical; Italian scores write m.s.
Abbreviations: l.H., l. H., L.H.
Hand indications solve problems the staff layout cannot: which hand takes an inner voice, when hands cross, how to share a texture. Mark them where the obvious reading is wrong or awkward, and stay consistent within a piece. In German music the full words also appear inside sentences (“linke Hand immer gleich stark”), where they address balance as well as distribution.
Schoenberg, Das Buch der hängenden Gärten, Op. 15, “Wenn ich heut nicht deinen Leib berühre”, piano, m. 19: “linke Hand immer gleich stark bis” “zum schluß” — the left hand to stay equally strong to the end, after ff.
Linke Hand is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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