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Let ring.
Printed after the note or chord that should ring — laissez vibrer, laisser vibrer or l.v. — often with a short tie ending in the air, over harp, percussion, piano or guitar. It applies to the notes marked; the sound is stopped by étouffez or the next damping instruction.
Abbreviations: l.v.
Also spelled: laisser vibrer
Laissez vibrer lets a note decay naturally beyond its written value, so you can notate a short attack while letting the resonance overlap what follows. It is most common for cymbals, gongs, harp and piano. If the overlap creates a clash you do not want, mark where to damp; if everything should ring, say so once at the start rather than on every note.
Boulanger, Clairières dans le ciel, “Par ce que j’ai souffert”, piano, m. 32: “en dehors, laissez vibrer”, two bars after the return to Tempo I at pp.
Laissez vibrer is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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