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Joyful.
Printed above the staff as a character word, most often in an opening heading joined to a tempo or colour — Joyeux et animé, joyeux et tendre, joyeux et très sonore — and kept until a new character word. The feminine joyeuse agrees with a feminine noun in longer phrases.
Also spelled: joyeuse
Joyeux asks for open, radiant happiness — fuller and warmer than gai, which is lighter and more playful. Debussy uses it in combinations that fix the colour of the joy: tender, resonant, or brisk. Because it says nothing about speed or loudness, couple it with a tempo or dynamic as he does, and leave it off music whose notes already shout delight.
Debussy, Trois Chansons de France, Rondel “Le temps a laissé son manteau”, m. 1: “Joyeux et animé” heads both the voice and the piano.
Joyeux is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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