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Pressing on, urging forward, usually with growing intensity as well as speed.
Printed above the staff where the pressing begins, and usually answered within a bar or two by a ritenuto, rallentando or a tempo. It is almost always written out in full.
Incalzando means “pursuing” or “urging on”: tempo and intensity rise together, as if the phrase were chasing something. It sits between stringendo (a tightening of pace) and affrettando (hurry); its flavour is emotional insistence. Tchaikovsky answers it with a ritenuto two bars later in the Pathétique — a good model for using it as phrase shaping, a surge and a holding back, rather than as a lasting change of speed.
Tchaikovsky, Symphony No. 6 (“Pathétique”), first movement, piccolo part, m. 93: “incalzando”, answered two bars later by “ritenuto” as the dynamics swell from pp to mf.
Incalzando is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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