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In time.
Printed above the staff after a free or recitative-like passage, alone or as “streng im Takt”; it restores strict time from that point on, the German counterpart of a tempo or a battuta.
Use it to end a passage of rubato, colla voce or senza tempo — Robert Franz writes “frei im Takt” and then “im Takt” a bar later. Streng im Takt also works as a warning against expressive distortion in a passage that might tempt it. It says nothing about speed: the tempo resumes as before.
Wagner, Wesendonck-Lieder, “Im Treibhaus”, voice, m. 28: “(streng im Takt)”, in a song headed “Langsam und schwer”.
Im Takt is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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