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Sustained, borne; slow and weighty.
Printed as a heading or mid-passage, often with sehr (sehr getragen) and sometimes with sostenuto beside it; it holds until the next tempo or character word. It describes manner as well as tempo: sustained, connected, unhurried.
Sustained and dignified — the German sostenuto, with a sense of solemnity. It asks for long, connected lines with full tone at a slow pace. Strauss heads “Morgen!” with it, and Mahler uses it to close Kindertotenlieder. Use it for chorale-like or valedictory passages; it contradicts staccato or nervous figuration.
Mahler, Kindertotenlieder, No. 5, “In diesem Wetter, in diesem Braus”, piano, m. 125: “sehr getragen, zart”, printed with “molto sostenuto, tenere”.
Getragen is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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