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Quite, entirely; "ganz leise" is "completely soft".
Intensifies the word it precedes — ganz leise, ganz breit, ganz zart — and sometimes heads a song in parentheses as a character note. Its scope is that of the word it qualifies. In directions it means “completely”, not the English “quite” in the sense of “fairly”: ganz leise is as soft as possible.
Stronger than sehr when it touches an extreme: ganz leise sits at the bottom of the dynamic range, ganz breit is a full broadening. Reserve it for the end of a scale — the quietest, broadest or most tender point of a passage — and avoid using it where sehr would do, or it stops meaning anything.
Berg, Seven Early Songs, No. 1, “Nacht”, voice, m. 24: “Ganz breit”, followed by “quasi a tempo” at m. 25 and “Wie zu Anfang” at m. 26.
Ganz is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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