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Somewhat more animated.
Printed above the staff where the quickening begins; in bilingual editions the Italian “un poco più animato” stands beside it. It holds until the next tempo word, often a return a few bars later (Erstes Tempo).
A modest, relative push: livelier than the music before, but only a little. It lets a middle phrase lift without starting a new section, and etwas asks for a change that is felt rather than heard as a gear change. Wolf sometimes adds a brake in the same breath (“etwas belebter, jedoch immer gemessen”); plan the return so the lift has a shape.
Cornelius, Weihnachtslieder, Op. 8, “Die Hirten”, voice, m. 31: “etwas belebter” with “un poco più animato”; two bars later “Erstes Tempo” restores the song’s opening “Ruhig”.
Etwas belebter is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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