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Painful, sorrowful.
Printed above the staff, alone or in a heading — Lent et douloureux, douloureux et résigné — and over a vocal line at the phrase it colours. It lasts until a new character word; the feminine douloureuse agrees with a feminine noun.
Douloureux asks for pain audibly carried: a heavier, more pressed tone than triste, with weight on dissonances and appoggiaturas. It is the French doloroso and works at any dynamic — Satie sets it at pp at the head of the first Gymnopédie, Bizet at f in a vocal climax. Pair it with a tempo word when it heads a piece, and keep it off light textures, where it reads as melodrama.
Bizet, 20 Mélodies, Op. 21, “Adieux de l’hôtesse arabe”, voice, m. 67: “douloureux” at f, with “portez la voix” in the same bar.
Douloureux is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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