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With noise and clamour.
Printed beside a loud dynamic — ff, or within sempre fortissimo e con strepito — at a crashing, virtuoso passage. It colours the passage until the texture or dynamic changes or another character direction appears.
Also spelled: strepito
Con strepito asks for noise and clamour: a deliberately thunderous sound in which impact matters more than beauty. Liszt uses it repeatedly, in Mazeppa, Feux follets and the B minor Sonata, where the piano should roar; it gives a player permission to sacrifice polish. Use it rarely and only at true climaxes. Strepitoso is the adjectival form.
Liszt, Transcendental Étude No. 4 (“Mazeppa”), piano, m. 9: “sempre fortissimo e con strepito” at ff, eight bars into the “Allegro.”
Con strepito is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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