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With extravagance: wildly and fantastically, with free and bizarre abandon.
A character direction printed above the staff, usually inside a heading beside a tempo word — Scriabin’s Allegro. Impetuoso. Con stravaganza. It sets the manner of the section it heads and gives way to the next character word.
It licenses excess: exaggerated contrasts, sudden surges, the sense of music breaking its frame. That is why it sits naturally in late Romantic and Symbolist music like Scriabin’s, and why it needs a tempo word beside it — it says nothing about speed. Placed once, at a heading, it colours everything after; scattered through a score it loses its shock.
Scriabin, Piano Sonata No. 5, Op. 53, m. 1: the sonata opens “Allegro. Impetuoso. Con stravaganza”, in an edition that also prints the epigraph from Scriabin’s Poème de l’extase.
Con stravaganza is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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