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Draw the wood of the bow across the string.
Printed over a string part, almost always in full, since a bare col legno is read as struck. It stays in force until arco or ordinario; the notes are written normally, often as long values or under slurs that make the drawn stroke plain.
Drawing the wood along the string gives a thin, airy, barely pitched whisper, far quieter than the struck form. It is largely a 20th-century colour, used for ghostly sustained textures. Keep the dynamic soft and the surrounding scoring bare, since it cannot project over winds, and say in a footnote whether some hair may join the wood for a clearer pitch.
Col legno tratto is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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