Cembalo

As Printed on a Score

Labels the harpsichord in Italian and also in German scores (Cembalo; Cemb. later); the full Italian name is Clavicembalo. In Baroque music it usually belongs to the continuo and reads the figured bass rather than a written-out part; a solo harpsichord gets its own grand staff, as in Bach’s Fifth Brandenburg Concerto.

Abbreviations: Cemb.

Also spelled: Clavicembalo, Cembali

How Composers Use It

The harpsichord plucks its strings, so dynamics cannot be shaped by touch: emphasis comes from articulation, added notes and, on larger instruments, changes of register or manual. It is bright and clear but not loud — ideal for continuo and transparent chamber textures. In a modern work write out exactly what you want rather than relying on a realisation from figures, and keep the surrounding texture light enough for it to be heard.

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