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Warmth.
Printed inside phrases (“con calore”, “con molto calore”, “Semplice, con calore”) above the staff, a vocal line or a keyboard part, at the start of a warm, lyrical passage. It holds until the next character word; bilingual editions may give German “warm” beside it.
Con calore asks for warmth: a full, glowing tone, generous vibrato in strings and voice, phrases shaped with affection. It is warmer than espressivo and less urgent than appassionato. Mahler’s pairing with semplice (in his German, “Schlicht, aber warm”) shows a useful balance: plain delivery, warm sound. As a noun it always sits inside a phrase; calore alone is not a direction.
Mahler, Kindertotenlieder, “Oft denk’ ich, sie sind nur ausgegangen”, voice, m. 5: “Semplice, con calore”, the Italian beside the German “Schlicht, aber warm”.
Calore is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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