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Much slower.
Printed above the staff at the bar where the new, much slower tempo begins, often after a dim. or molto rall. that leads into it. It holds until the next tempo marking — a Tempo, Tempo I, au mouvement — so it must be read against the tempo before it.
A relative marking that asks for a pronounced change, not a nuance: the music should feel clearly broader. Bizet uses it at turning points in his songs, where a section closes into reflection. Because the amount is open, a metronome mark helps; and if the slower tempo should arrive gradually, write the rall. first and let beaucoup plus lent confirm the arrival.
Bizet, Feuilles d’album, “Adieux à Suzon”, piano, m. 126: “beaucoup plus lent.”, following “molto rall.” and “dim.” at m. 124.
Beaucoup plus lent is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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