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Harmoniously, in a blended and smooth manner.
Mostly a piano word, printed beside the dynamic, usually p or softer and often with dolce (dolce armonioso), with pedal or una corda indications nearby. It colours the passage until a new character direction appears; nothing formally cancels it.
Armonioso asks for a blended sound in which the harmony matters more than any single line: even voicing, generous pedal, no hard edges. Liszt prints it with dolce in Liebestraum No. 3 and in Harmonies du soir, where chords and arpeggios should ring together. Because it describes the result rather than the means, add the means as well — pedal, una corda, sempre legato — if you need a specific sonority.
Liszt, Transcendental Étude No. 11 (“Harmonies du soir”), S. 139, piano, m. 143: “dolce, armonioso.”, followed two bars later by “sempre arpeggio.”
Armonioso is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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