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Very fast.
Printed above the staff as a heading, often at the start of the main section after a slow introduction, and governs until the next tempo word. Molto allegro is the same instruction in the other word order.
Also spelled: Molto allegro
A fast allegro, pushing toward presto while keeping allegro’s brightness. Composers from Mozart to Dvořák use it for energetic sonata movements and finales. Because it sits near the top of the allegro range, check that the fastest figuration is playable at speed; a metronome mark tells performers whether “very” means a lively allegro or something close to presto.
Dvořák, Symphony No. 9 (“From the New World”), first movement, m. 24: “Allegro molto”, ending the Adagio introduction, which runs straight into it (the double basses are marked “attacca” the bar before).
Allegro molto is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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