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Fast, at an exact, well-judged pace.
Printed above the staff as a tempo heading at the start of a movement or section (in a full score, over the top staff); it lasts until the next tempo word.
Allegro giusto asks for a strict, well-judged allegro that keeps its proportions — neither hurried nor relaxed. Composers use it for quick music that should sound firm and deliberate: marches, dance-derived movements, battle scenes. Mussorgsky heads the opening Promenade of Pictures at an Exhibition “Allegro giusto, nel modo russico”, combining strictness with a national colour.
Tchaikovsky, 1812 Overture, Op. 49, full score, m. 96: “Allegro Giusto.”, following the “Andante.” that began nineteen bars earlier — the overture’s first allegro.
Allegro giusto is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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