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Fast with vigour and spirit.
Printed above the staff as a movement heading, sometimes extended (Allegro con brio ed appassionato) or placed after a slow introduction; it governs until the next tempo word.
Brio is vigour and fire, and the heading is closely associated with Beethoven, who used it for many of his most energetic movements. The brio lies in rhythmic drive and articulation rather than in volume — a movement can begin pianissimo and still be con brio. Use it for music whose energy comes from its rhythm, and still add a metronome mark if the speed matters.
Beethoven, Piano Sonata No. 21 in C major, Op. 53 (“Waldstein”), first movement, m. 1: “Allegro con brio”, over an opening marked pp.
Allegro con brio is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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