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But; joins a direction with its qualification.
Follows the main word of a direction and qualifies it: “Sehr mässig bewegt, aber nie schleppend”, “Schlicht, aber warm”, “zart, aber ausdrucksvoll”. Both halves belong to the same heading and last as long as it does; the aber clause is sometimes printed in parentheses or on a second line.
Use aber to head off the misreading your first word invites: a moderate tempo that might sag, a simple style that might turn cold, a soft dynamic that might lose its expression. It is the German ma, and the pairing works best when the second word corrects a likely exaggeration of the first rather than introducing something unrelated.
Wagner, Wesendonck-Lieder, No. 5, “Träume”, voice, m. 1: “Sehr mässig bewegt, aber nie schleppend” — a moderate pace with its likely fault named in advance.
Aber is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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