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To damp.
Printed in percussion, harp or piano parts at the note whose sound should be stopped — “abdämpfen”, “schnell abdämpfen”, or as a standing instruction, “immer abdämpfen”. It is the opposite of klingen lassen, which it cancels; a written note value alone does not stop a resonating instrument.
Also spelled: abdampfen
Timpani, cymbals, gongs, harp and bells ring far past the written value, so if you want silence in the next rest you must ask for it. Abdämpfen gives a clipped, dry end — useful for punctuating chords and clearing the air before a quiet passage. Immer abdämpfen asks for every stroke to be stopped, which tightens the rhythm but costs warmth.
Mahler, Symphony No. 5, second movement, timpani, m. 532: “abdämpfen.” with “m.Holzschl.” (with wooden sticks), at f, two bars after an ff.
Abdämpfen is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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