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Abandon; unrestrained, free feeling (con abbandono).
Printed as con abbandono above the staff (or above a solo part) at the phrase it colours; it lasts for that phrase or passage rather than a fixed span, and is usually followed by a return to measured expression.
Also spelled: con abbandono
Abandon means letting go: rubato, a freer and fuller tone, the restraint of the surrounding music dropped for a moment. It is a Romantic and later marking that only works if what surrounds it is more controlled. Reserve it for a peak; if every phrase is marked with abandon, nothing is left to abandon.
Quilter, “Cherry Ripe”, To Julia, Op. 8, oboe, m. 42: “con abbandono”, in a song headed “Allegro con brio”; the oboe’s last dynamic, four bars earlier, was mp.
Abbandono is one of 1755 terms in the Gradus musical dictionary: the words, abbreviations and instrument names that appear in printed scores, plus the vocabulary composers use to talk about them.
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